{"id":2244,"date":"2024-07-19T14:29:27","date_gmt":"2024-07-19T12:29:27","guid":{"rendered":"https:\/\/www.rit.fr\/migrances-2\/"},"modified":"2024-07-19T14:29:27","modified_gmt":"2024-07-19T12:29:27","slug":"migrances-2","status":"publish","type":"post","link":"https:\/\/www.rit.fr\/en\/migrances-2\/","title":{"rendered":"Migrances"},"content":{"rendered":"\t\t
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Migrances<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Share<\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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On tour<\/h3>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Experimental Musical Theater<\/strong><\/p>\n

Interpretation <\/strong>
Marc Chalosse, B\u00e9atrice Chatron,
Antoinette Ehrard, Yi-Ping Yang,
Sylvain Reymond<\/p>\n

Stage Direction<\/strong> \u00c9ric Mass\u00e9
Author<\/strong> Doroth\u00e9e Zumstein
Music creation <\/strong>Yi Ping Yang, Marc Chalosse
Dramaturgy<\/strong> Catherine Ailloud-Nicolas
Scenography<\/strong> Anouk Dell\u2019Aiera
Lighting<\/strong> David Debrinay
Artistic and technical collaboratio
<\/strong>Sylvain Reymond<\/p>\n

Photograph<\/strong> Jean-Louis Fernandez
Costumes<\/strong> Julie Lascoumes<\/p>\n

Coproduction and residence
<\/strong>Les Subsistances \/ Lyon \/France<\/p>\n

Coproduction
<\/strong>la Compagnie des Lumas, R.I.T., Le Moulin du Roc \u2013 Sc\u00e8ne nationale de Niort
Les Subsistances de Lyon<\/p>\n

With the support of
<\/strong>la Sc\u00e8ne Nationale 61-Th\u00e9\u00e2tre d\u2019Alen\u00e7on, la SPEDIDAM<\/p>\n

Diffusion
<\/strong>RIT INFINITY ass.
Cie des Lumas<\/p>\n

Duration 80 minutes<\/strong><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\tYi-Ping Yang, has been sharing for several years the artistic adventures of Eric Mass\u00e9 and the Lumas Company. It is around her art and her personal story, that of a young Taiwanese girl who chose exile to work, that this new piece is tied. Between reality and fiction, two women who a priori oppose everything confront their trajectories, the reasons for their exile. Migrating, living elsewhere, at what price? To realize what dreams? A show created as part of the RIT festival.\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The project<\/h3>\n

Migrances \/ Migration<\/i> is a creation halfway between music and theatre, on the troubles of migrants, the friction between legend and reality. The timpani, placed as a central instrument, allows to reinvest a key element of the great orchestras, the one that announces, for example, the Sacrifice of the virgins<\/i> in Stravinsky\u2019s Rite of Spring<\/i>. This instrument was once used as a weapon of psychological warfare to burn out the opponents and create a form of hypnosis that can also be compared today with electronic music such as techno. This creation confronts tradition and modernity, tales and reality through a look at the troubles that arise among migrants, born and raised in one culture and living in another. How can we live in a reality, in an environment that is at odds with its roots and beliefs? Do we have to create our own myths and legends in order to better understand what surrounds us?<\/p>\n

Synopsis<\/h3>\n

What begins in a rather classical way with a series of interviews is going to take, little by little, a strange turn. Between the trajectories of the two young women who a priori everything opposes, between their two migrations, singular games of mirror will be established… The reasons for their exile, the family and social pressures that they had to escape in order to \u00absave their skin\u00bb, the dragon that both of them got tattooed on their backs… little by little the puzzle is being reconstructed… Sometimes their destinies oppose each other, sometimes they telescopate. But between role-playing and pretence games, where the truth ends, where fiction begins?<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Yi-Ping Yang, has been sharing for several years the artistic adventures of Eric Mass\u00e9 and the Lumas Company. It is around her art and her personal story, that of a young Taiwanese girl who chose exile to work, that this new piece is tied. Between reality and fiction, two women who a priori oppose everything confront their trajectories, the reasons for their exile. Migrating, living elsewhere, at what price? To realize what dreams? A show created as part of the RIT festival.<\/p>\n","protected":false},"author":1,"featured_media":2189,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-2244","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-collective-pieces","entry"],"_links":{"self":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts\/2244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/comments?post=2244"}],"version-history":[{"count":1,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts\/2244\/revisions"}],"predecessor-version":[{"id":2245,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts\/2244\/revisions\/2245"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/media\/2189"}],"wp:attachment":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/media?parent=2244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/categories?post=2244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/tags?post=2244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}