{"id":2246,"date":"2024-07-19T14:31:40","date_gmt":"2024-07-19T12:31:40","guid":{"rendered":"https:\/\/www.rit.fr\/hommage-a-mauricio-kagel\/"},"modified":"2024-08-12T15:02:06","modified_gmt":"2024-08-12T13:02:06","slug":"hommage-a-mauricio-kagel","status":"publish","type":"post","link":"https:\/\/www.rit.fr\/en\/hommage-a-mauricio-kagel\/","title":{"rendered":"Hommage \u00e0 Mauricio Kagel"},"content":{"rendered":"\t\t
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Hommage \u00e0 Mauricio Kagel<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Share<\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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On tour<\/h3>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Experimental Musical Theater <\/b><\/p>\n

Creation <\/b>2012<\/p>\n

Percussions
<\/b>Jean-Pierre Drouet,
Yi-Ping Yang
Flutes <\/b>Eve Cambreling
Guitar <\/b>Martin Steuber<\/p>\n

Music
<\/b>Con voce <\/i>Mauricio Kagel
Exotica <\/i>Mauricio Kagel, extraits
Abdulisations <\/i>Abdul Alafrez
Livre c\u00e9libataire <\/i>Giorgio Battistelli
Conversation <\/i>Georges Aperghis (ext.)
S\u00e9r\u00e9nade <\/i>Mauricio Kagel<\/p>\n

Production \/ Diffusion
<\/b>RIT INFINITY ass.<\/p>\n

Partners
<\/b>RIT – GRAME
Goethe-Institut de Lyon<\/p>\n

Duration 60 minutes<\/b><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\tIt is an event that jubilantly brings together the spirit of Mauricio Kagel, who calls upon one of his most loyal collaborators, the percussionist – actor – composer Jean-Pierre Drouet, with the complicity of Aperghis, Globokar and Battistelli. At the heart of the proposal, Jean-Pierre Drouet\u2019s presence and setting in space make this program a precious and moving moment.\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The project <\/span><\/h3>\n

Mauricio Kagel was born on 24 December 1931 in Buenos Aires. Anniversary celebrations are held around the world. This program features this fictitious anniversary. The Pieces S\u00e9r\u00e9nade<\/i> and Livre c\u00e9libataire<\/i>, rarely played because of their specificity and great difficulty, are among the jewels of this concert<\/p>\n

Mauricio Kagel <\/span><\/h3>\n

is an Argentine composer and conductor. He mainly focused on instrumental theatre by renewing the sound material (electroacoustic, various sounds). But he also explored the dramatic resources of contemporary musical language in radio plays, films, electroacoustic works and ancient forms. From the 1980s onwards, Kagel began to break new conventions and hearing habits, with: Rrrrrrr\u2026<\/i>, a 41-pieces ensemble (1980-1982) and the Third String Quartet<\/i> (1986-1987).<\/p>\n

Mauricio Kagel is the author of compositions for orchestra, voice, piano and chamber orchestra, numerous stage works, seventeen films and eleven radio plays.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

It is an event that jubilantly brings together the spirit of Mauricio Kagel, who calls upon one of his most loyal collaborators, the percussionist – actor – composer Jean-Pierre Drouet, with the complicity of Aperghis, Globokar and Battistelli. At the heart of the proposal, Jean-Pierre Drouet\u2019s presence and setting in space make this program a precious and moving moment.<\/p>\n","protected":false},"author":1,"featured_media":2511,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-2246","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-collective-pieces","entry"],"_links":{"self":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts\/2246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/comments?post=2246"}],"version-history":[{"count":2,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts\/2246\/revisions"}],"predecessor-version":[{"id":2515,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts\/2246\/revisions\/2515"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/media\/2511"}],"wp:attachment":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/media?parent=2246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/categories?post=2246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/tags?post=2246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}