{"id":2250,"date":"2024-07-19T14:35:26","date_gmt":"2024-07-19T12:35:26","guid":{"rendered":"https:\/\/www.rit.fr\/reflet-mural\/"},"modified":"2024-08-12T14:55:19","modified_gmt":"2024-08-12T12:55:19","slug":"reflet-mural","status":"publish","type":"post","link":"https:\/\/www.rit.fr\/en\/reflet-mural\/","title":{"rendered":"Reflet mural"},"content":{"rendered":"\t\t
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Reflet mural<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Share<\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Evolutive form<\/h3>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Visual concert
<\/b>Preview 2013<\/b><\/p>\n

Musicians
<\/b>Fr\u00e9d\u00e9rique Cambreling, harp
Arnold Marinissen, percussions
Yi-Ping Yang, percussions<\/p>\n

Musical pieces
<\/b>Mural <\/i>(15\u2019)- Aurelio Edler-Copes, for harp and two percussionnists, commision by Fr\u00e9d\u00e9rique Cambreling
Un-fini I <\/i>(11\u2019) by Mark Andr\u00e9 for harp, symphony bass drum et tam-tam
Transparence <\/i>(17\u2019) by James Giroudon and Yi-Ping Yang
Lab Fly Dreams <\/i>(21\u2019) by Yannis Kyriakides (Gr\u00e8ce)on a film by H.C. Gilje for one percussionnist
Visible Music 1 <\/i>(21\u2019) by Dieter Schnebel<\/p>\n

Production
<\/b>RIT INFINITY ass.<\/p>\n

Partners
<\/b>RIT INFINITY
GRAME
Ville de Lyon,
Th\u00e9\u00e2tre de la Renaissance<\/p>\n

With the support of
<\/b>Spedidam, Drac.<\/p>\n

Duration approx. 50 minutes<\/b><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\tA new path in which electronics, images and gestures are combined with the complicity of the composer and performer Aurelio Edler-Copes, internationally renowned musicians Fr\u00e9d\u00e9rique Cambreling and Arnold Marinissen. At the heart of the game\u2019s rules is a screen and its digital reflections, which assembles each score. It\u2019s a concert with innovative game modes, \u00abopen\u00bb forms and random scores, where music nourish from image.\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Fr\u00e9d\u00e9rique Cambreling <\/span><\/h3>\n

is a harpist of international renown, who divides her career between her soloist activities and the Ensemble InterContemporain, of which she has been a member since 1993. She is also a professor at Musikene in Spain. After studying music in France, Fr\u00e9d\u00e9rique Cambreling won three international prizes (1976-1977) and was awarded the position of principal harp of the French National Orchestra (1977-1985).<\/p>\n

Arnold Marinissen <\/span><\/h3>\n

is a Dutch musician and conductor. As a conductor of 20th and 21st century music, he is the regular guest of the best ensembles specialized in this music in Holland, as well as in the main festivals. He frequently performs as a solo percussionist and chamber musician.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

A new path in which electronics, images and gestures are combined with the complicity of the composer and performer Aurelio Edler-Copes, internationally renowned musicians Fr\u00e9d\u00e9rique Cambreling and Arnold Marinissen. At the heart of the game\u2019s rules is a screen and its digital reflections, which assembles each score. It\u2019s a concert with innovative game modes, \u00abopen\u00bb forms and random scores, where music nourish from image.<\/p>\n","protected":false},"author":1,"featured_media":2487,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-2250","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-collective-pieces","entry"],"_links":{"self":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts\/2250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/comments?post=2250"}],"version-history":[{"count":2,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts\/2250\/revisions"}],"predecessor-version":[{"id":2491,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts\/2250\/revisions\/2491"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/media\/2487"}],"wp:attachment":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/media?parent=2250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/categories?post=2250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/tags?post=2250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}