{"id":2254,"date":"2024-07-19T14:39:31","date_gmt":"2024-07-19T12:39:31","guid":{"rendered":"https:\/\/www.rit.fr\/les-yeux-ouverts\/"},"modified":"2024-08-12T15:02:22","modified_gmt":"2024-08-12T13:02:22","slug":"les-yeux-ouverts","status":"publish","type":"post","link":"https:\/\/www.rit.fr\/en\/les-yeux-ouverts\/","title":{"rendered":"Les yeux ouverts"},"content":{"rendered":"\t\t
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Les yeux ouverts<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Share<\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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On tour<\/h3>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Creation 2017 \u2013 Colombia \u2013 France<\/strong>
Oct.-November 2017 \u2013 Colombia<\/strong>
In 2018 \u2013 France<\/strong><\/p>\n

Co-creation
<\/b>Yi-Ping Yang
James Giroudon
Alexander Morales<\/p>\n

Composition 1
<\/b>James Giroudon & Jean-Fran\u00e7ois Estager
Composition 2
<\/b>James Giroudon & Yi-Ping Yang
Composition 3
<\/b>James Giroudon<\/p>\n

Video Creation
<\/b>Scottie Huang, videaste and architect
Musical Commission <\/b>Grame-Borusan Muzik (Istanbul)
Direction <\/b>Alexander Morales
Scenographer <\/b>Frank Jamin
Interpretation <\/b>Yi-Ping Yang
Stage designer and technology <\/b>Christophe Lebreton
Lighting <\/b>Jean Cyrille Burdet
Costumes <\/b>Laura Garnier
Masks <\/b>Luc Be\u0301<\/span>ril<\/p>\n

Musical production <\/b>Grame, centre national de cre\u0301<\/span>ation musicale-Lyon
RIT-Infinity & platO-PlatEAU<\/p>\n

Duration 55 minutes <\/b><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\tLes Yeux Ouverts<\/i> has the ambition to seize our time. It gives to hear the voice of a generation born between two collapses, the fall of the Wall and the fall of the Towers. From this word of vertigo, it brings out the urgent need for utopia. If literature and philosophy make common cause, it is a question of weaving with the language and the thought of Camille De Toledo, another weave, carried by the music, the images and the staging, at the same time powerful and joyful, so that everything concurs towards the same intention, the same momentum: \u00abon the side of the potentialities, on the side of the greatest hope\u00bb…\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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What to say about today?<\/h3>\n

That we\u2019re worried? That the world is complex? That we can\u2019t stand complexification, more and more so? That we can\u2019 t bear, more and more, the resignation?<\/p>\n

What to say?<\/h3>\n

Other than that we seek the new paths of revolt, the one that says no to confinement and that says yes, YES to life?
What can we say, except that we are intensely looking for prospects of hope?
Can\u2019t we only want to save ourselves?
How can we talk to the younger generations, to all of us, about our confusion?
How can we transmit a thought that goes beyond disenchantment, that goes beyond uneasiness, discomfort, that dares.
Which dares, yes, to invent a new elsewhere, a tomorrow not suffered, a possible tomorrow?<\/p>\n

Les yeux ouverts <\/span><\/h3>\n

is an invitation to a dream, however modest, but imperious (an illusion, why not also). It formulates the desire for utopia, the need for hope, the call for a reappropriation of our destiny.<\/p>\n

B\u00e9atrice CHATRON<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Les Yeux Ouverts<\/i> has the ambition to seize our time. It gives to hear the voice of a generation born between two collapses, the fall of the Wall and the fall of the Towers. From this word of vertigo, it brings out the urgent need for utopia. If literature and philosophy make common cause, it is a question of weaving with the language and the thought of Camille De Toledo, another weave, carried by the music, the images and the staging, at the same time powerful and joyful, so that everything concurs towards the same intention, the same momentum: \u00abon the side of the potentialities, on the side of the greatest hope\u00bb…<\/p>\n","protected":false},"author":1,"featured_media":2517,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-2254","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-collective-pieces","entry"],"_links":{"self":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts\/2254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/comments?post=2254"}],"version-history":[{"count":2,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts\/2254\/revisions"}],"predecessor-version":[{"id":2521,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts\/2254\/revisions\/2521"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/media\/2517"}],"wp:attachment":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/media?parent=2254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/categories?post=2254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/tags?post=2254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}