{"id":2256,"date":"2024-07-19T14:42:41","date_gmt":"2024-07-19T12:42:41","guid":{"rendered":"https:\/\/www.rit.fr\/autres-secrets-danse-plein-vide\/"},"modified":"2024-07-19T14:42:41","modified_gmt":"2024-07-19T12:42:41","slug":"autres-secrets-danse-plein-vide","status":"publish","type":"post","link":"https:\/\/www.rit.fr\/en\/autres-secrets-danse-plein-vide\/","title":{"rendered":"Autres Secrets Dans(e) Plein-vide"},"content":{"rendered":"\t\t
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Autres Secrets Dans(e) Plein-vide<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Share<\/p>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Creation<\/h3>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Work in Progress intiated in 2014
<\/b>as a tribute to G\u00e9rard MORTIER<\/b><\/p>\n

Creation, Project Direction
<\/b>and musical interpretation <\/b>Yi-Ping-YANG<\/p>\n

Texts <\/b>Xtatik (Xavier PICOU)<\/p>\n

Choregraphy <\/b>\u00e0 distribuer
Sound-Engineer <\/b>en cours de distribution
Dancers <\/b>on distribution<\/p>\n

Musicians Performers
<\/b>Yi-Ping YANG, S\u00e9bastien TRON,
Richard MONS\u00c9GU<\/p>\n

Production
<\/b>RIT INFINITY ass.<\/p>\n

Partners
<\/b>RIT INFINITY
ANTIQUARKS<\/p>\n

Duration approx. 60 minutes<\/b><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
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\n\t\t\t\t\t\t\tle vide vid\u00e9 de son vide c\u2019est le plein
\nle vide rempli de son vide c\u2019est le vide
\nle vide rempli de son plein c\u2019est le vide
\nle plein vid\u00e9 de son plein c\u2019est le plein
\nle plein vid\u00e9 de son vide c\u2019est le plein
\nle vide vid\u00e9 de son plein c\u2019est le vide
\nle plein rempli de son plein c\u2019est le plein
\nle plein rempli de son vide c\u2019est le vide
\nle vide vid\u00e9 de son plein c\u2019est le plein
\nle plein rempli de son vide c\u2019est le plein
\nle plein vid\u00e9 de son vide c\u2019est le vide
le vide rempli de son plein c\u2019est le plein
\nle plein vid\u00e9 de son plein c\u2019est le vide
\nle plein rempli de son plein c\u2019est le vide
\nle vide vid\u00e9 de son vide c\u2019est le vide c\u2019est le plein vide
\nle plein vide vid\u00e9 de son plein vide
\nde son vide vide rempli et vid\u00e9
\nde son vide vide rempli et vid\u00e9
\nde son vide vide vid\u00e9 de son plein en plein vide

\nAutres Secrets du Vide et du Plein<\/i> (1953),
\nGh\u00e9rasim Luca.\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Gerashim LUCA\u2019s text is an essential force, a raw textual material.<\/p>\n

It hybridizes words, meanings, to give birth to paradoxes, to deepen the impossibility of saying. The search for a saturation, a destructuration of the text, the stuttering of the verb… are the driving forces proposed as a matter, transposed to the dancers\u2019 bodies. Xtatik, a slammer, takes this sound poetry as a starting point to compose the beats of his texts.<\/p>\n

In the field of Street-dance, locking, popping, breaking, krumping, etc. could be the axes of the works, contemporary body dance with urban gestures – out of the classics.<\/p>\n

These bodies unfold a different space, powerful and bold. Results of an urbanistic thought, of imposed spaces, these movements are made of stops, of breaks, of flows… they dig a full space, they touch the limits.<\/p>\n

The sound material is made of two dimensions: on the one hand, the contemporary music of Yi-Ping YANG, which reveals the power of silence, in the abstraction of percussions, in unusual architectures of rhythms; on the other hand, the pop music of ANTIQUARKS, which hybridizes hurdy-gurdy and drums. It is the meeting of two fields that gives the sound material new impulses.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

le vide vid\u00e9 de son vide c\u2019est le plein
\nle vide rempli de son vide c\u2019est le vide
\nle vide rempli de son plein c\u2019est le vide
\nle plein vid\u00e9 de son plein c\u2019est le plein
\nle plein vid\u00e9 de son vide c\u2019est le plein
\nle vide vid\u00e9 de son plein c\u2019est le vide
\nle plein rempli de son plein c\u2019est le plein
\nle plein rempli de son vide c\u2019est le vide
\nle vide vid\u00e9 de son plein c\u2019est le plein
\nle plein rempli de son vide c\u2019est le plein
\nle plein vid\u00e9 de son vide c\u2019est le vide
le vide rempli de son plein c\u2019est le plein
\nle plein vid\u00e9 de son plein c\u2019est le vide
\nle plein rempli de son plein c\u2019est le vide
\nle vide vid\u00e9 de son vide c\u2019est le vide c\u2019est le plein vide
\nle plein vide vid\u00e9 de son plein vide
\nde son vide vide rempli et vid\u00e9
\nde son vide vide rempli et vid\u00e9
\nde son vide vide vid\u00e9 de son plein en plein vide<\/p>\n

Autres Secrets du Vide et du Plein<\/i> (1953),
\nGh\u00e9rasim Luca.<\/p>\n","protected":false},"author":1,"featured_media":2197,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-2256","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-collective-pieces","entry"],"_links":{"self":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts\/2256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/comments?post=2256"}],"version-history":[{"count":1,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts\/2256\/revisions"}],"predecessor-version":[{"id":2257,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/posts\/2256\/revisions\/2257"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/media\/2197"}],"wp:attachment":[{"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/media?parent=2256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/categories?post=2256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rit.fr\/en\/wp-json\/wp\/v2\/tags?post=2256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}